About
Hyphen This is the work and findings of Amelia 'Sme' Mitchell.
Currently studying BA (Hons) Visual Communications, Leeds College of Art.
Contact: acf.mitchell@hotmail.co.uk
See also: Magnetic Tapes
www.magnetictapes.tumblr.com
Exhibitions
2010- 3 works exhibited as part of Light Night Leeds, Leeds College of Art, 8th of October.
2011- 1 handmade, hardcover book, 'What Did You Do?', Leeds International Artist's Book Fair.
2011- 4 A3 portraits, acetate, Vis Com Year One (Are A Bunch Of) Show (Offs)
2012- 1 printed A5 image, 1 A4 book/file, 'William Strange Project- A Collection of Personal Possessions', Visual Communication Mid Year Show
2012- 1 A4 book/file, 'William Strange Project- A Collection of Personal Possessions', 9-5 5-9 exhibition (A show curated and organised by Leeds College of Art Interdisciplinary students and Art In Unusual Spaces) Park Square Leeds
Currently studying BA (Hons) Visual Communications, Leeds College of Art.
Contact: acf.mitchell@hotmail.co.uk
See also: Magnetic Tapes
www.magnetictapes.tumblr.com
Exhibitions
2010- 3 works exhibited as part of Light Night Leeds, Leeds College of Art, 8th of October.
2011- 1 handmade, hardcover book, 'What Did You Do?', Leeds International Artist's Book Fair.
2011- 4 A3 portraits, acetate, Vis Com Year One (Are A Bunch Of) Show (Offs)
2012- 1 printed A5 image, 1 A4 book/file, 'William Strange Project- A Collection of Personal Possessions', Visual Communication Mid Year Show
2012- 1 A4 book/file, 'William Strange Project- A Collection of Personal Possessions', 9-5 5-9 exhibition (A show curated and organised by Leeds College of Art Interdisciplinary students and Art In Unusual Spaces) Park Square Leeds
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12:31 is a series of photographs concepted by Croix Gagnon and photographed by Frank Schott.
‘In 1993, a convicted murderer was executed. His body was given to science, segmented, and photographed for medical research. In 2011, we used photographer to put it back together.’
Process:
‘This animation represents the entire data set (1,871 slices) of the male cadaver from the Visible Human Project. The animation was played fullscreen on a computer, which was moved around by an assistant while being photographed in a dark environment. The resulting images are long-exposure “light paintings” of the entire cadaver. Variations in the movement of the computer during each exposure created differences in the shape of the body throughout the series.’
Directed by George Cressey
